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Moby-Dick; or, The Whale · Moby-Dick, ch. 55 · block 14

For all these reasons, then, any way you may look at it, you must needs conclude that the great Leviathan is that one creature in the world which must remain unpainted to the last. True, one portrait may hit the mark much nearer than another, but none can hit it with any very considerable degree of exactness. So there is no earthly way of finding out precisely what the whale really looks like. And the only mode in which you can derive even a tolerable idea of his living contour, is by going a whaling yourself; but by so doing, you run no small risk of being eternally stove and sunk by him. Wherefore, it seems to me you had best not be too fastidious in your curiosity touching this Leviathan.
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Herman Melville · 1851
Project Gutenberg #15, credited to Eugene F. Irey; updated 10 June 2026. Based on the first American edition, Harper & Brothers, 1851, according to the source catalog.
Mapped print edition: Herman Melville, Moby-Dick; or, The Whale (New York: Harper & Brothers, 1851; First American edition).
Passage ¶1470: pp. 297–298 (Scanned p. 297 · Scanned p. 298)
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Locations cover whole source blocks in chapters 1–135 and the epilogue, plus the title leaf. The reading text remains Project Gutenberg #15 and can differ from this printing; consult the linked scan when quoting the print edition. The 23 source-note references have their own mapped pages. Front matter beyond the title, one decorative break, and the modern transcriber’s note are not mapped. Bracketed labels [i] and [635] are supplied for unnumbered leaves. Alignment does not certify verbatim identity.
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Gloss address: 55.14 · chapter.paragraph · global ¶1470
Frozen text and counting rules: g1-582503627a093f94.
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