The Republic · ¶300

He is the enemy of the poets because poetry was declining in his own lifetime, and a theatrocracy, as he says in the Laws (iii. 701 A), had taken the place of an intellectual aristocracy. Euripides exhibited the last phase of the tragic drama, and in him Plato saw the friend and apologist of tyrants, and the Sophist of tragedy. The old comedy was almost extinct; the new had not yet arisen. Dramatic and lyric poetry, like every other branch of Greek literature, was falling under the power of rhetoric. There was no ‘second or third’ to Æschylus and Sophocles in the generation which followed them. Aristophanes, in one of his later comedies (Frogs, 89 foll.), speaks of ‘thousands of tragedy-making prattlers,’ whose attempts at poetry he compares to the chirping of swallows; ‘their garrulity went far beyond Euripides,’—‘they appeared once upon the stage, and there was an end of them.’ To a…

Plato · translated by Benjamin Jowett · composite transcription based on the 1888 third edition
Benjamin Jowett, revised third edition (1888), with Stephanus numbering from the 1908 edition; composite transcription, Project Gutenberg #55201
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