The Republic · ¶302

In the Tenth Book Plato introduces a new series of objections. First, he says that the poet or painter is an imitator, and in the third degree removed from the truth. His creations are not tested by rule and measure; they are only appearances. In modern times we should say that art is not merely imitation, but rather the expression of the ideal in forms of sense. Even adopting the humble image of Plato, from which his argument derives a colour, we should maintain that the artist may ennoble the bed which he paints by the folds of the drapery, or by the feeling of home which he introduces; and there have been modern painters who have imparted such an ideal interest to a blacksmith’s or a carpenter’s shop. The eye or mind which feels as well as sees can give dignity and pathos to a ruined mill, or a straw-built shed [Rembrandt], to the hull of a vessel ‘going to its last home’ [Turner].…

Plato · translated by Benjamin Jowett · composite transcription based on the 1888 third edition
Benjamin Jowett, revised third edition (1888), with Stephanus numbering from the 1908 edition; composite transcription, Project Gutenberg #55201
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