gloss · the reading room

The Republic · ¶402

He is gifted with far greater dramatic invention than any one who succeeded him, with the exception of Swift. In the art of feigning he is a worthy disciple of Plato. Like him, starting from a small portion of fact, he founds his tale with admirable skill on a few lines in the Latin narrative of the voyages of Amerigo Vespucci. He is very precise about dates and facts, and has the power of making us believe that the narrator of the tale must have been an eyewitness. We are fairly puzzled by his manner of mixing up real and imaginary persons; his boy John Clement and Peter Giles, citizen of Antwerp, with whom he disputes about the precise words which are supposed to have been used by the (imaginary) Portuguese traveller, Raphael Hythloday. ‘I have the more cause,’ says Hythloday, ‘to fear that my words shall not be believed, for that I know how difficultly and hardly I myself would have…
Read in context ›

Plato · translated by Benjamin Jowett · composite transcription based on the 1888 third edition
Benjamin Jowett, revised third edition (1888), with Stephanus numbering from the 1908 edition; composite transcription, Project Gutenberg #55201
Passage preview. Read in context for the complete text, notes and references.